A Painted House

source : Amazon.com
author : John Grisham

Ever since he published The Firm in 1991, John Grisham has remained the undisputed champ of the legal thriller. With A Painted House,however, he strikes out in a new direction. As the author is quick to note, this novel includes "not a single lawyer, dead or alive," and readers will search in vain for the kind of lowlife machinations that have been his stock-in-trade. Instead, Grisham has delivered a quieter, more contemplative story, set in rural Arkansas
in 1952. It's harvest time on the Chandler farm, and the family has hired a crew of migrant Mexicans and "hill people" to pick 80 acres of cotton. A certain camaraderie pervades this bucolic dream team. But it's backbreaking work, particularly for the 7-year-old narrator, Luke: "I would pick cotton, tearing the fluffy bolls from the stalks at a steady pace, stuffing them into the heavy sack, afraid to look down the row and be reminded of how endless it was, afraid to slow down because someone would notice."
What's more, tensions begin to simmer between the Mexicans and the hill people, one of whom has a penchant for bare-knuckles brawling. This leads to a brutal murder, which young Luke has the bad luck to witness. At this point--with secrets, lies, and at least one knife fight in the offing--the plot begins to take on that familiar, Grisham-style momentum. Still, such matters ultimately take a back seat in A Painted House to the author's evocation of time and place. This is, after all, the scene of his boyhood, and Grisham waxes nostalgic without ever succumbing to deep-fried sentimentality. Meanwhile, his account of Luke's Baptist upbringing occasions some sly (and telling) humor:

I'd been taught in Sunday school from the day I could walk that lying would send you straight to hell. No detours. No second chances. Straight into the fiery pit, where Satan was waiting with the likes of Hitler and Judas Iscariot and General Grant. Thou shalt not bear false witness, which, of course, didn't sound exactly like a strict prohibition against lying, but that was the way the Baptists interpreted it.

Whether Grisham will continue along these lines, or revert to the judicial shark tank for his next book, is anybody's guess. But A Painted House suggests that he's perfectly capable of telling an involving story with nary a subpoena in sight. --James Marcus

Reader's review:
No, it is not the typical John Grisham suspense novel, but this book gave me a greater appreciation for Grisham and his writing abilities. A PAINTED HOUSE is a work of literary fiction that shows Grisham has a command of more than the tried and true lawyer/suspense formula and is darn good at it. I have read some of the unfavorable reviews and have to guess that these are people who rarely venture out of the "reading comfort zone" of popular fiction. Grisham in suspense mode is great, as is Baldacci, Patterson and others. But, there is a whole other world of great writing and Grisham has dared to venture into the serious world of true-blue literary fiction.

The story is narrated by seven year-old Luke Chandler, the son of an Arkansas family renting and farming in 1952 Arkansas. To say Luke "grows up" between the covers would be an understatement. Luke tells us a story of cotton pickers that will have you feeling every possible emotion, right along with young Luke. No, there are no slick lawyers or beautiful law students in A PAINTED HOUSE, but there ARE plenty of wonderful characters that come to life on the pages of this Grisham classic. To stay away from this John Grisham novel because it is not "typical" Grisham, would not be giving yourself enough credit for being able to appreciate a great author, and his work, because he is not writing something that is ready-for-the-screen. Trust the man who brought us THE FIRM, THE PELICAN BRIEF and others to keep you entertained in a different genre, to be sure, but entertained and mesmerized nonetheless. Do yourself a favor -- suspend your judgement about "literary fiction" -- and don't miss this one!! -- Mike Donovan

I have read every one of Grishams books. You could call me a real fan. I read this book in Oxford Magazine, and I found only one fault in it. It was to short. Yes, it is much different than anything else he has written, but so what, it is a great, yes great book. I can't wait until my 15 year old daughter gets time to read it. I see it as a classic for almost any school kid. Told from the view of this 7 year old boy on a poor farm, it had me from page one, and while it was not a great thriller it was a great story that could not have sounded more real. Do yourself a big time favor and don't pass up this wonderfully told story. -- Ken Channer

As an ex-country boy, now living in the city, A Painted House really struck a chord with me. Farm life is tough. The people who live on farms have to be tougher or they won't survive. I felt John Grisham captured this observation beautifully.

We look at cotton farming in Arkansas in the 1950s during harvest. We experience the many different apprehensions involved with this season. That of hiring hill folk and the Mexicans, what the weather will do, whether the price will be high or low, will the Cardinals have a winning season.

The big strength of this book is the way the characters are brought to life so wonderfully. We experience their joys over simple pleasures such as sitting on the verandah listening to baseball, the loneliness of farm-life, despair of ever finishing harvest, wariness of the strangers employed, intermingled with the acceptance of the life they lead.

Sure it's not what you'd normally expect from a Grisham book and yes, we're not glued to our seats with heart-hammering courtroom drama, but so what? We experience the drama of racing to bring the crop in, the troubles that come from mixing people of different backgrounds together, and life on the land as it was in the 1950s.

I can't recommend this book highly enough for anyone who enjoys looking back on simpler times. -- Untouchable

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